Street Musician + Violin + Looping Pedal = Awesome Video

Street Musician + Violin + Looping Pedal = Awesome Video

Is Noise the New Pop?

WINNIPEG, MB, November 15, 2013 /

24-7PressRelease/ -- Winnipeg Avant-garde Guitarist Pim Zond announced today he will be releasing his newest music single track on iTunes and elsewhere online on November 11, 2013.

His newest single, an electronic film soundtrack influenced song entitled "Clockwork Is Sad", is the newest song to come from electronic guitarist Pim Zond. Following in the heels of his avant-metal track "Dirty Cell Slaves", Clockwork Is Sad is a calmer, some say incredible calming music release, but no less unique. A contrast in styles Zond says, he freely explores every music genre and breaks all their rules, or at least bends them a little. Both singles are too appear on his next album "Ethical Treatment of Machines" due for release near the end of the year. Other albums available are: "23 Years of Fear", "Distant Relations", and "Monodon Monoceros (Narwhal)".

For more information, please visit http://www.pimzond.com

More About Pim Zond

Pim Zond is a Canadian experimental / avant-garde guitarist and recording artist active in free-improvisation, noise, avant-metal, and free-jazz genres.

With his fascination with film soundtracks, Anton Webern, Frank Zappa, Reeves Gabrels, Adrian Belew and Derek Bailey, Zond strives to obtain as wide an array of sounds than those typically heard at that particular moment in time, under the conditions with the chosen devices or instruments.

He uses light-fingered tones and harmonics, psycho-billy fragments, only to become dominated by fierce but brief Marc inspired noise riff attacks. This builds to a high point until unusual handmade string instruments can be deployed to explore low-tension tunings, and discordant harmonic conceptualizations feeding back with computerized a-rhythmic accompaniments.

His current guitars are a customized Metropolis electronic guitar with joystick control, a 9 string semi-acoustic travel guitar, a 1960's Saturn 5 acoustic, and a 1960's Audition electric guitar which he got at 10 years of age, and a wide array of new and vintage effects pedals.

Added to the mix is a Chinese Moon guitar of his own design created from found objects called the "Dead Ring". This 5 string semi-acoustic guitar is featured as the world's largest Mandolin Guitar (22") in a world record at recordsetter.com, along with his playing of the the world's Smallest Mandolin (2"), also a world record. And now in completion a double neck plastic aluminum outsider art instrument called "reDDneXX". He counts among his varied social media followers; Eminem, Five Finger Death Punch, Boris, Jack White and John McLaughlin.

Pim Zond's current album "Monodon Monoceros" is available on iTunes, Amazon.com, and elsewhere, including physical CD via CD BABY and in-store via Alliance entertainment.

For an extended profile page please visit http://www.reverbnation.com/pimzond

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Joseph Patrick Moore Submerges Into the World of Electro-jazz

Atlanta, GA (PRWEB) December 13, 2011

Blue Canoe Records have released "XYZ Factor" from bassman, Joseph Patrick Moore. This bold, uber-current effort fuses elements of contemporary jazz, for which Mr. Moore is famous, with electronica and the delivery is a fresh and relevant EP that will appeal to his current fans and fans of electronica alike.

In the same vein as artists BT , Owl City and Moby, Mr. Moore hits the listener with a smooth, irrepressible experience that encourages listeners to use the repeat function.

Joseph Patrick Moore is a prolific jazz, pop and rock musician as well as producer, session musician, film composer and author. He has worked with artists such as Stewart Copeland (The Police), Earl Klugh, Chris Duarte and Bob James to name a few. "XYZ Factor" is fresh on the release of "To Africa With Love" where Mr. Moore coupled its release with a mission trip to Africa where he got involved on the front line of support for The Kingdom of Swaziland.
The three song EP "XYZ Factor" starts with "Yield", an ambient electronic beat backed by Mr. Moore's signature bass tone.

The haunting melody sticks with the listener long after the song resolves and is supported by a bubbling beat that forces feet to move.

"Xanadu", the second track, begins with a mysterious, synthesized mood that moves from left to right. The beat gently settles in and the echo of a dreamy voice calls from above. By the time the melody falls in, the addictive beat is ingratiated into your subconscious. From classical strings to ambient keys to contemporary jazz melody, this electronic hallucination is not to be missed.

"XYZ Factor" rounds off with the full-tilt "Zig Zag Zoom". Mr. Moore infuses pop melody lines over the Owl City like beat to create a dance party right from "Play".
"XYZ Factor" is co-produced by Buzz Amato (Curtis Mayfield, Ben E. King) as player, producer, composer and arranger coupled with Mr. Moore's bass stylings and production.

 This EP is a cerebral experience that punches to the core of today's electronic scene. Joseph Patrick Moore manages to stay ahead of trends in his pursuit of bringing worlds together through music. "XYZ Factor" is a must-listen for fans that love jazz, electronica and all points in between.
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SoundExchange and BandPage Collaborate to Put $2M in Unclaimed Royalties in Musicians Pockets | Music Industry News Wire

By Trichordist Editor
 

Music Industry Newswire reports on some good news!

WASHINGTON, D.C. /Music Industry Newswire/ — SoundExchange, a music industry non-profit focused on distributing digital performance royalties to recording artists and record labels, and BandPage, a leading solution for musicians to manage their presence online, recently teamed up to notify recording artists of unclaimed royalties with SoundExchange.

Together the two groups identified more than $2 million in unclaimed digital performance royalties for thousands of BandPage musicians who have not yet registered with SoundExchange. Bandpage musicians with unclaimed performance royalties will be notified by BandPage directly via email.

READ THE FULL POST AT MUSIC INDUSTRY NEWS WIRE:
http://musicindustrynewswire.com/2012/08/07/min5749_140533.php/soundexchange-and-bandpage-collaborate-to-put-2m-in-unclaimed-royalties-in-musicians-pockets/

Filed under:

Music History - Industrial Rock

Music History - Industrial Rock - Origins, Influential Bands and Equipment

Cover of Die Krupps

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BIOMECHANIC DAY - Biomechanic Art & Industrial Music (Museum HR Giger & EbullITION CH) by feelingandsound

Industrial rock arose at end of the 1970s as a number of rock and post-punk bands started to use synthesizers to add an industrial feel to their guitar-based music. The genre draws influences from a number of sources, including noise music and electro-industrial as well as post-punk and traditional rock music. 

It is often mistaken for industrial metal, which is a separate industrial genre that did not develop until nearly a decade later. Early industrial rock was made by a number of bands, including groups such as Killing Joke, SPK, Einsterzende Neubauten, Die Krupps and Test Dept. 

The work of these bands would later have an impact on the development of the genre and industrial music as a whole. Certain releases by influential industrial metal bands like as Nine Inch Nails can also be taken as examples of industrial rock. Other popular bands that have contributed to the genre in one way or another include Gary Numan, KMFDM, Celldweller and Gravity Kills. The American band Filter has also had considerable commercial success. 

 

Cover of Test Dept.

Since the genre draws heavily on influences from rock and post-punk as well as the world of electronic music, industrial rock bands often use a mixture of both acoustic and electronic music gear. Some of the most widely-used pieces of music equipment used in the genre are Digidesign Pro Tools, Apple Logic, the Sherman Filterbank, the Kurzweil K2000 and Clavia Nord Lead. 

The genre features frequent use of effects processors and industrial production techniques to distort recorded guitar riffs and acoustic drums in ways not usually found in other rock music genres.Similar to industrial metal, industrial rock experienced its peak of commercial success in the 1990s, especially in North America. Since then, popular interest in the genre has faded considerably.

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[industrial music] (Photo credit: RHiNO NEAL)[/caption]Article Source: http://EzineArticles.com/?expert=Taylor_P.

Xbox Music : Microsoft to Pay The Most of Any Music Streaming Service?

Xbox Music :  Microsoft to Pay The Most of Any Music Streaming Service?

By Trichordist Editor
 

This could get interesting. Digital Music News reports “The Xbox Music streaming service is venturing into iOS and Android platforms, as well as free internet streaming, with newly adorned with apps and features. The Web service will provide on-demand access to 30 million songs, with an ad-free subscription or ad-supported free use.”
What makes this even more interesting is that Microsoft appears to be paying more than any other streaming service that we know of (we don't know what Itunes Radio is paying yet).
Faza at The Cynical Musician wrote this:

A Quickie: XBox Music Royalties
Since this is streaming money, there's not a lot of it, but the rate is absolutely astounding: the latest statement pegs a stream at 3.6 cents. Yep, you read that right: several cents a pop. Traditionally, I'll do a quick stream-to-download calculation which works out at 18 XBox Music streams to one iTunes download (both numbers for songs to which we own the entirety of rights, making CD Baby the only middle-man – they take a commission of 9% I believe).
It's a sign of the times when we get excited by a per stream rate of 3.6 cents…

Filed under:

Synthesizer and Electronic Music Equipment

Synthesizer and Electronic Music Equipment

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Clavia - Swedish Synthesizer and Electronic Music Equipment Manufacturer

 

Clavia Nord Rack (Photo credit: Wikipedia)[/caption]   Clavia is a Swedish electronic music equipment manufacturer that was founded in Stockholm by Hans Nordelius and Mikael Carlsson in 1983. The first Clavia product was the Digital Percussion Plate 1, the earliest electronic drum pad with sampling capabilities ever produced commercially, which they originally designed and built in a basement. 

The Digital Percussion Plate would later evolve into the ddrum line of electronic percussion units in 1984, which proved hugely popular with drummers around the world. The ddrum line remained one of Clavia's most popular pieces of equipment until 2005, when the ddrum brand name was sold. Nowadays, Clavia is most well-known for its Nord Lead line of virtual analog synthesizers, the first version of which came out in 1995. The original Nord Lead was Clavia's first hardware synth and one of the very first virtual analog (or analog modeling) synthesizers available. The concept of virtual analog synthesis revolves around the use of digital signal processing technology to imitate analog waveforms.  

Clavia expanded on the concept of software-powered digital emulation of analog technology with subsequent follow-up models of the Nord Lead along with the Nord Modular line of virtual analog modular synthesizers, which combine the reliability of analog modeling with the flexibility of modular internal synth architecture. Nord Modular users assemble their own synth components virtually on a computer, which is then reproduced by DSP chips on the synthesizer. Compared to other major synthesizer manufacturers, 

Clavia is relatively small and employs merely a total of about twenty workers. Since the company's founding, all their synthesizers have been hand-made in Sweden using Swedish-produced components whenever possible. Taylor is a contributor at Alternative Electronics, the most comprehensive resource online for the music equipment used in alternative electronic music, where you can also read more about Clavia and their various products.

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 Clavia Nord Modular Rack Clavia Nord Modular G2 Engine Digital Music Corp MX-8 MIDI Patchbay patchbay Roland M-160 16ch line mixer (Photo credit: Wikipedia)[/caption]Article Source: http://EzineArticles.com/?expert=Taylor_P.

Custom Guitars - Build Guitars

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 Custom Guitars

 

This semi hollow guitar had tone like no other. Dad told me he sold this one to a museum. Hallmark Swept-Wing hollow body three tone sunburst (1966-1968) (Photo credit: Wikipedia)

Custom Guitars

Custom-built guitars are just a dream for regular guys. You usually have to be famous or rich to get your hand on a custom hand built guitar that is made exactly for your convenience. The world today offers a mass manufacturing and global distribution that you could possibly buy almost everything you want, even from this web magazine!

For instruments like guitar, huge manufacturers are turning out high-quality instruments at very affordable prices and advance production techniques have made it possible for factories to offer options and a point of customization that would have been expensive and impractical in the past.

On the other hand, there are also booming cottage industries of individual guitar-makers who can build a completely custom-made guitar suited to your needs.

Some may ask why bother with a custom guitar when there are so many choices available in the market.

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The primary reason for most is the basic ergonomic needs. You may justbenefit from a unique or avant-garde, experimental neck geometry that fits your hands better or custom electronics to better capture your live playing style. Any feature or combination of features that you can't find in the usual stock instrument can easily justify a need for a custom order.

A good starting point would probably be choosing wood for your guitar. You may need to research a little to find out what tone you will get from each of the different guitar tone woods. You should narrow your choices based on the tone that you are looking for.

As you start to explore the options, you will learn that there are so many variations in woods. For instance, if you wanted a spruce top, you can explore all the spruce varieties which include Sitka, Adirondack, Engelmann, German, Carpathian, Bosnian and a lot more.

However, the woods used for the back and sides offer more visual variety and come in an even wider range of exotic types.

Do your research to find out what the consensus is on the tone that you get from certain woods. Just remember that the wood is only the starting point and is not the only part of the guitar that will affect your tone.

If your friend or your luthier is willing, it would be a great idea to let him accompany you at lumber store that sells different types of exotic words. Think about the guitars you have owned in the past and decide what woods you have loved the most and keep these three things in mind:

Tone. The denser the wood usually gives off brighter sounds Beauty. Some woods are more beautiful or fancier looking. Weight. Denser wood is heavier.

Some wood stores may already have available guitar body blanks cut for you to choose from. If so, you will likely get these much cheaper than buy a larger piece to cut down.

Lastly, when choosing wood, beaware of the ecological and sustainability issues revolving many exotic woods. There are ethical and legal problems with a lot of the woods that are frequently used for guitar manufacturing, especially those used for the backs and sides. You should understand and consider your own position on this kind of issues and be aware of potential problems especially if you have any plans to travel abroad with your instrument.

Imagine how great it will feel to learn the guitar real fast! Click here to find out about guitar lessons online and soon you'll be strummin away.

Visit Basic Guitar Lessons for more tips in learning how to play guitar, from basic to advance method. Also check out how to learn Guitar Lessons Online.

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