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Showing posts with label Disc jockey. Show all posts
Showing posts with label Disc jockey. Show all posts

Thursday, August 28, 2014

The Secrets Of Pro DJ Mixing: Quick & Easy

How to Cut and Paste Mix Tape Vol.2
How to Cut and Paste Mix Tape Vol.2 (Photo credit: Wikipedia)

Here are a few of the many exciting things you'll learn in this program: 

Click Here!

  • How to go from being a beginner DJ that has never touched decks in his life, to being able to beatmatch and mix FLAWLESSLY within a few short weeks... so you can tell your friends and everyone you know that you are a DJ
  • The single most effective way to get your mixes tight so promoters and other DJs will be BEGGING you to play their parties
  • A proven, step-by-step plan to get you to STOP struggling with Beatmatching and to get you mixing in the fastest amount of time humanly possible
  • The #1 reason why most new DJs STRUGGLE even after practicing every day for months (If you aren't yet getting your mixes consistently tight, there is a good chance that you are making this mistake.... And it's CRUCIAL that you learn what it is and how to fix it)
  • An ARSENAL of easy dj mixes to rock a dancefloor in any given situation so you are always ready to impress girls, friends and dance floors full of screaming fans
  • How to use every type of DJ Gear on the market so you can mix confidently no matter what DJ equipment you're faced when playing gigs
  • Superstar DJ mixing tricks that are not only easy to perform but also BLOW AWAY any crowd you are playing for.
  • Scratching skills so you can scratch while you mix and WOW any dance floor... People freak out over scratching
  • How to impress people with your skills at any type of party: house parties, rave, lounges, night clubs, super clubs, festivals, weddings, birthdays, corporate party's or anything else you want to play!
  • How to mix your FAVORITE tracks so that they blend perfectly together to create a beautiful new song (the rush you are going to get when this happens is AMAZING)
  • The easiest way to mix a CD so you can show your friends how good you are land some gigs.
  • Typical scenarios to watch out for involving women, drinks and small DJ booths.
  • How to play any genre or sub-genre of electronic music so you can be a versatile Dj and get more gigs.
  • How to deal with all of the friends and girls you're going to have coming up to talk to you in the booth while you are trying to mix.
  • The crucial and often overlooked differences between mixing at home and mixing at a party that will save you from DISASTER (there are a lot more than you think...)
  • And much, much more...

Thursday, August 21, 2014

How to DJ

A dj mixing icon
A dj mixing icon (Photo credit: Wikipedia)

HOW TO DJ

Click Here!

  • How to go from being a beginner DJ that has never touched decks in his life, to being able to beatmatch and mix FLAWLESSLY within a few short weeks... so you can tell your friends and everyone you know that you are a DJ
  • The single most effective way to get your mixes tight so promoters and other DJs will be BEGGING you to play their parties
  • A proven, step-by-step plan to get you to STOP struggling with Beatmatching and to get you mixing in the fastest amount of time humanly possible
  • The #1 reason why most new DJs STRUGGLE even after practicing every day for months (If you aren't yet getting your mixes consistently tight, there is a good chance that you are making this mistake.... And it's CRUCIAL that you learn what it is and how to fix it)
  • An ARSENAL of easy dj mixes to rock a dancefloor in any given situation so you are always ready to impress girls, friends and dance floors full of screaming fans
  • How to use every type of DJ Gear on the market so you can mix confidently no matter what DJ equipment you're faced when playing gigs
  • Superstar DJ mixing tricks that are not only easy to perform but also BLOW AWAY any crowd you are playing for.
  • Scratching skills so you can scratch while you mix and WOW any dance floor... People freak out over scratching
  • How to impress people with your skills at any type of party: house parties, rave, lounges, night clubs, super clubs, festivals, weddings, birthdays, corporate party's or anything else you want to play!
  • How to mix your FAVORITE tracks so that they blend perfectly together to create a beautiful new song (the rush you are going to get when this happens is AMAZING)
  • The easiest way to mix a CD so you can show your friends how good you are land some gigs.
  • Typical scenarios to watch out for involving women, drinks and small DJ booths.
  • How to play any genre or sub-genre of electronic music so you can be a versatile Dj and get more gigs.
  • How to deal with all of the friends and girls you're going to have coming up to talk to you in the booth while you are trying to mix.
  • The crucial and often overlooked differences between mixing at home and mixing at a party that will save you from DISASTER (there are a lot more than you think...)
  • And much, much more...

Thursday, July 10, 2014

Monday, May 12, 2014

Becoming An Electronic Music Artist

Becoming An Electronic Music Artist

German electronic music artist Ellen Allien pe... 

German electronic music artist Ellen Allien performing a DJ set at MAGMA 2006, Tenerife (Photo credit: Wikipedia)[/caption] Being an electronic music artist used to place one firmly in the Avant-garde, but nowadays more people are making electric music than ever before. From DJs to synthesizer geeks, Midi composers to indie rockers, playing electronic digital music is for all sorts of different people. The question is, is it for you? 

I never really considered myself an electronic music artist until recently. I was just sort of an experimental musician. Some of the things that I messed with were electronic instruments, but I also used a lot of acoustic stuff. I was as likely to pick up a guitar as a keyboard, an accordion as a theremin. Still, as I progressed, I got more and more interested in digital music processing. You see, nowadays it is much easier to make interesting electric effects by simulating them than by actually recording them in the field. Electronic instruments have gotten so good and so sophisticated that you can get pretty much any sound you want out of one. 

Of course, it isn't quite that simple. It requires quite a bit of know-how and programming savvy in some cases. Even so, most experimental musicians - if they stick with it for long enough - end up as electronic music artists. Of course, the electronic music artist scene is much different depending on what part of it you are in. 

If you're an indie musician, the target audience is usually hipsters in their late teens through late 30s. If you're a DJ, you can play for pretty much anyone. Club music is in, and there are gigs anywhere from weddings to raves. If you are a more experimental musician, however, you really have to make a niche for yourself. Not every city has an electronic music artist scene and the ones that do are often sort of insular. By networking and getting to know people within your scene, you can make a living and start to meet with some commercial success. 

Like any musician, an electronic music artist has to get his music heard in order to succeed. In some ways, this is easier for electronic musicians. Because a lot of your music is digitally produced, people don't necessarily have to hear you live to get a feel for what you sound like. Your live shows will be much closer to your recordings than with other musicians. This has both its advantages and disadvantages. On the one hand, you never hear about electronic music artists who are only good live. 

Most electronic musicians learn to put together a good recording. On the other hand, this makes it harder to make an impression on people during a live show. You have to do something really spectacular to make the right impression on people. Phillip T. Terry is the owner of http://coolguitartips.com and has written numerous articles on guitars and music in general.Article Source: http://EzineArticles.com/?expert=Phillip_T._Terry
 
Olympia-based musician Big Tom the Lithuanian ... 
Olympia-based musician Big Tom the Lithuanian performing at the 14 th Olympia Experimental Music Festival, Olympia, Washington. Tom is best known as a street performer in Olympia. (Photo credit: Wikipedia)

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Sunday, April 27, 2014

Steve Aoki's Manager On Getting Famous Online: Stop Promoting and Start Entertaining

Steve Aoki's Manager On Getting Famous Online: Stop Promoting and Start Entertaining


Steve Aoki's Manager On Getting Famous Online: Stop Promoting and Start Entertaining Vote-aokiThe folks at JustGo Music managed to slow down Steve Aoki's manager Matt Colon long enough to discuss how Aoki got so famous online.  

Aoki has capitalized greatly on his over-the-top personality and his web presence reflects that personality. Yet Colon says the biggest secret has been making the shift "from promotion to entertainment" and pursuing choices that lead to higher audience engagement on social media.



According to Steve Aoki's manager Matt Colon (via Dotted Music), Aoki is successful for a number of reasons including the fact that people dig his music, he puts on a great live show and he performs as often as possible (300 gigs last year). But he tops off this combination of enjoyable music, hard work and great shows with a rapidly growing social media presence that didn't happen on its own.

Shifting From Promotion to Entertainment Colon credits Aoki's strong social following and media visibility with a shift in how Team Aoki approached creating content shifting from "typical DJ stuff, like music videos and tour diaries" to more creative fare including, when possible, creating one "non musical viral video a week."

On Facebook they "had been posting stuff about his new tracks or his upcoming shows, but fans didn’t really engage in that stuff." So they switched their "strategy from promotion to entertainment, and we started making viral videos and releasing weird or funny photos." The results have been powerful with Aoki's YouTube following growing from 30,000 to 690,000 subscribers in the last year.

 On Facebook, Colon says they've seen Aoki's "posts go from 300 likes per post, to 500, 600, 1000 likes." Colon's bottom line: "We discovered that very few people on social media will like a post that says ‘Buy my new album’. You need to make a connection with fans, besides selling them something. Post photos of you in Starbucks. Tell a joke. People want to get to know the real you."


Aoki-youtube Running Aoki's YouTube Channel Like a Network Though Colon may be stretching things a bit by comparing Steve Aoki's YouTube channel to a tv network, they've clearly created a well-organized production schedule filled with amped-up music videos, road docs and, currently, a campaign for the DJ Mag 2013 Top 100 DJs. Colon points to last year's DJ Mag Top 100 campaign as an important turning point in their content production. They decided to make fun of the whole thing by parodying traditional political campaigns with such special moments as "Steve kissing babies, Steve as an eagle" and so forth. This approach even resulted in an honorary mention at the Webby Awards.

The current Top 100 campaign focuses on the concept that "Steve Is Just Like You" from toilet mishaps to digging through his sofa cushions. You can see from Aoki's YouTube channel homepage that videos are arranged into themes, from music videos to the Top 100 campaign, that are identified in the channel banner.

Each themed video is also added to a dedicated playlist and videos from the current major themes are each shown in separate sections on the main page. In addition, the typeface with theme title that appears on the still frame for each video helps tie individual themes together with the channel as a whole. It's a nice workaround for creating subchannels within a single YouTube channel without getting overly complex or splintering one's audience.

Channel analytics have also affected content production. For example, they learned from a third party company called The Audience that a third of Aoki's fans were Spanish speakers. So they've developed a humorous video series that connects to bilingual Spanish/English speakers. It Helps To Be Steve Aoki There's a lot more in this awesome piece from the JustGo Music Blog.

In particular, Matt Colon makes it clear that Steve Aoki is particularly suited to the age of social media. He has an over the top personality and he loves to be documented.But there's a lesson here for anyone using social media to promote their music. Focusing on news announcements and selling just isn't enough to engage an audience online. Making the switch "from promotion to entertainment," with what's entertaining decided by your aesthetic and audience response, is key to finding your own path to social media engagement and possibly even stardom.