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Showing posts with label Frank Zappa. Show all posts
Showing posts with label Frank Zappa. Show all posts

Thursday, October 9, 2014

Alice Cooper In Encyclopedia Britannica

Alice Cooper In Encyclopedia Britannica

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Alice Cooper, American hard rock band that shared its name with its leader. In addition to producing a string of hits in the 1970s, Alice Cooper was among the first rock groups to infuse their performances with theatrics. The members were Alice Cooper (original name Vincent Furnier; b. Feb. 4, 1948, Detroit, Mich., U.S.), Michael Bruce (b. March 16, 1948), Glen Buxton (b. Nov. 10, 1947, Akron, Ohio—d. Oct. 19, 1997, Mason City, Iowa), Dennis Dunaway (b. Dec. 9, 1946, Cottage Grove, Ore.), and Neal Smith (b. Sept. 23, 1947, Akron).

The son of a preacher, Furnier formed a band with four schoolmates in Phoenix, Arizona. After moving to California in 1968, he and the band took the name Alice Cooper.

Their hyper-amplified club shows, influenced by British glam rock, earned them recognition as “the worst band in Los Angeles” and a contract with Frank Zappa’s Straight Records, for which they released two unsuccessful albums before relocating to Detroit.

With producer Bob Ezrin (who later worked with Kiss, a band much influenced by Alice Cooper’s music and presentation, as were the New York Dolls), they crafted a clear, powerful, guitar-heavy sound on such youth anthems as “I’m Eighteen” and “School’s Out.” Makeup-wearing vocalist Cooper, whose identity soon eclipsed the band’s, formed a new group in 1974, adding Welcome to My Nightmare (1975) to a list of significant albums that included Killer (1971) and Billion Dollar Babies (1973), all explorations of decadence, perversion, and psychosis. Best remembered for its shocking stage show,

Alice Cooper blended the gore and grotesquerie of horror films with the camp of 1930s Berlin cabaret. The group was inducted into the Rock and Roll Hall of Fame in 2011.

Thursday, September 11, 2014

Father of Electronic Music - Edgard Varese

Edgard Victor Achille Charles Varèse 


December 22, 1883 – November 6, 1965) was an innovative French-born composer who spent the greater part of his career in the United States.

Varèse's music emphasizes timbre and rhythm. He was the inventor of the term "organized sound", a phrase meaning that certain timbres and rhythms can be grouped together, sublimating into a whole new definition of music.


Edgard Varèse challenged traditional conceptions of noise and instead found ways to transform noise into music; Varèse believed that noise was, subjectively, "any sound one doesn't like",and he perceived music as a mere organized collection of noises, with composers being responsible for organizing noises in a pleasing way for the listener.


Although his complete surviving works only last about three hours, he has been recognised as an influence by several major composers of the late 20th century. Varèse saw potential in using electronic mediums for sound production, and his use of new instruments and electronic resources led to his being known as the "Father of Electronic Music" while Henry Miller described him as "The stratospheric Colossus of Sound".

Friday, November 15, 2013

Is Noise the New Pop?

WINNIPEG, MB, November 15, 2013 /

24-7PressRelease/ -- Winnipeg Avant-garde Guitarist Pim Zond announced today he will be releasing his newest music single track on iTunes and elsewhere online on November 11, 2013.

His newest single, an electronic film soundtrack influenced song entitled "Clockwork Is Sad", is the newest song to come from electronic guitarist Pim Zond. Following in the heels of his avant-metal track "Dirty Cell Slaves", Clockwork Is Sad is a calmer, some say incredible calming music release, but no less unique. A contrast in styles Zond says, he freely explores every music genre and breaks all their rules, or at least bends them a little. Both singles are too appear on his next album "Ethical Treatment of Machines" due for release near the end of the year. Other albums available are: "23 Years of Fear", "Distant Relations", and "Monodon Monoceros (Narwhal)".

For more information, please visit http://www.pimzond.com

More About Pim Zond


Pim Zond is a Canadian experimental / avant-garde guitarist and recording artist active in free-improvisation, noise, avant-metal, and free-jazz genres.

With his fascination with film soundtracks, Anton Webern, Frank Zappa, Reeves Gabrels, Adrian Belew and Derek Bailey, Zond strives to obtain as wide an array of sounds than those typically heard at that particular moment in time, under the conditions with the chosen devices or instruments.

He uses light-fingered tones and harmonics, psycho-billy fragments, only to become dominated by fierce but brief Marc inspired noise riff attacks. This builds to a high point until unusual handmade string instruments can be deployed to explore low-tension tunings, and discordant harmonic conceptualizations feeding back with computerized a-rhythmic accompaniments.

His current guitars are a customized Metropolis electronic guitar with joystick control, a 9 string semi-acoustic travel guitar, a 1960's Saturn 5 acoustic, and a 1960's Audition electric guitar which he got at 10 years of age, and a wide array of new and vintage effects pedals.

Added to the mix is a Chinese Moon guitar of his own design created from found objects called the "Dead Ring". This 5 string semi-acoustic guitar is featured as the world's largest Mandolin Guitar (22") in a world record at recordsetter.com, along with his playing of the the world's Smallest Mandolin (2"), also a world record. And now in completion a double neck plastic aluminum outsider art instrument called "reDDneXX". He counts among his varied social media followers; Eminem, Five Finger Death Punch, Boris, Jack White and John McLaughlin.

Pim Zond's current album "Monodon Monoceros" is available on iTunes, Amazon.com, and elsewhere, including physical CD via CD BABY and in-store via Alliance entertainment.

For an extended profile page please visit http://www.reverbnation.com/pimzond

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