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Showing posts with label experimental and electronic music. Show all posts
Showing posts with label experimental and electronic music. Show all posts

Sunday, June 8, 2014

Analog Music Gear For Under $300

Affordable Analog Synthesizers - Analog Music Gear For Under $300

 by P. Taylor

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Musicians and artists who swear by analog synthesizers and other analog music equipment can be found throughout all genres of electronic music. The alleged advantages of such pieces of gear include the absence of audio aliasing and quantization noise; however these audio anomalies are nonetheless introduced during later stages of the recording process when converting to digital format.


The true lure of analog gear is the character of the sound produced and the aesthetic of using vintage equipment, both of which are difficult to quantify.
In any case, the most sought-after analog music gear is often absent from the home studios of aspiring electronic musicians, due in no small part to the cost of acquiring such equipment. While certain models, such as the ARP 2600 for example, can easily cost many thousands of dollars, there are plenty of other popular models of analog synthesizers widely available for just a few hundred dollars.

The Roland JX-8P, first produced in 1985, is one such synthesizer. Used by bands such as Depeche Mode, The Human League, Covenant and The Future Sound of London, the JX-8P is regularly sold second-hand for around $200. Although programming capabilities on it are limited, the JX-8P offers musicians true analog sounds of the 1980s for a fraction of the cost compared to similar gear.

Another piece of budget analog music gear is the Matrix 1000 from Oberheim. As with the JX-8P, the Matrix 1000 requires an external programmer to edit its patches, though it comes equipped with 1000 presets from the legendary Matrix 6, with which is shares a common design and architecture. The Matrix 1000 rack unit is perfect for musicians who want to add an analog feel to their recordings without having to invest hours into patch programming. The Matrix has been used by bands ranging from Depeche Mode and Pet Shop Boys to:wumpscut:, Front 242, Mortiis and Juno Reactor.

While Moog and Sequential Circuits may be the big names in analog synthesis, musicians on a budget have a number of alternatives they can turn to in order to achieve the same great sounds.
Taylor is a contributor at Alternative Electronics, the most comprehensive resource online for the music equipment used in alternative electronic music, where you can also find the entire top 10 list of budget analog synthesizers.

Article Source: http://EzineArticles.com/?expert=Taylor_P.

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Sunday, May 11, 2014

Gabber Music Genre

Nederlands: DJ Paul Elstak 
Nederlands: DJ Paul Elstak (Photo credit: Wikipedia)

Gabber Music Genre

The music got its name from an article in which the Amsterdam DJ K.C. the Funkaholic was asked how he felt about the harder Rotterdam house scene. He answered "They're just a bunch of gabbers having fun". DJ Paul Elstak from Rotterdam read this article and on the first Euromasters record (released through Rotterdam Records), he engraved in the vinyl "Gabber zijn is geen schande!" translating as "it's not a disgrace to be a gabber!".

The word gained popularity in the Rotterdam house scene and people started to call themselves 'gabbers'. Although a house variant from Detroit reached Amsterdam in the late 1980s, it was the producers and DJs from Rotterdam who evolved it into a harder house variant which is today known as "Gabber". The specific sound of Rotterdam was also created as a reaction to the house scene of Amsterdam which was seen as "snobby and pretentious". Though house tracks from Frankfurt's Marc Acardipane were quite similar to the Rotterdam style, it was the popularity of this music in the Netherlands which made Rotterdam the cradle of early hardcore.

The essence of the early hardcore sound is a distorted bass drum sound, overdriven to the point where it becomes clipped into a distorted square wave and makes a recognizably melodic tone. Often the Roland Alpha Juno or the kick from a Roland TR-909 was used to create this sound. Early hardcore tracks typically include samples and synthesised melodies with the typical tempo ranging from 180 to 220 bpm. Violence, drugs and profanity are common themes in early hardcore, perceptible through its samples and lyrics, often screamed, pitch shifted, or distorted.

Early hardcore was popular in many countries, including the Netherlands, Belgium, Switzerland, Germany, Austria, and Italy. In the late 1990s, the early hardcore became less popular than the Hardstyle. After surviving underground for a number of years, in 2002 the style reappeared in the Netherlands in a new form, the mainstream hardcore. The sound becomes more mature, darker, and industrial and derives.

Misconceptions

In the early 1990s, gabber gained a following in the neo-fascist rave scenes of the Netherlands, Germany, Italy and the American Midwest. However, most gabber fans do not belong to the aforementioned groups, and many producers have released tracks that vocally speak out against racism.[3] In addition, many prominent gabber DJs and producers are not white; examples include The Viper, Nexes, Bass-D, Loftgroover, DJ Gizmo, The Darkraver, Dark Twins, Bass Technician, MC Raw (of Rotterdam Terror Corps) and HMS.

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What is Noise Music?

NOISE MUSIC

Noise music is a term used to describe varieties of avant-garde music and sound art that may use elements such as cacophony, dissonance, atonality, noise, indeterminacy, and repetition in their realization. Noise music can feature distortion, various types of acoustically or electronically generated noise, randomly produced electronic signals, and non-traditional musical instruments.

Noise music may also incorporate manipulated recordings, static, hiss and hum, feedback, live machine sounds, custom noise software, circuit bent instruments, and non-musical vocal elements that push noise towards the ecstatic.

The Futurist art movement was important for the development of the noise aesthetic, as was the Dada art movement (a prime example being the Antisymphony concert performed on April 30, 1919 in Berlin), and later the Surrealist and Fluxus art movements, specifically the Fluxus artists Joe Jones, Yasunao Tone, George Brecht, Robert Watts, Wolf Vostell, Yoko Ono, Walter De Maria's Ocean Music, Milan Knížák's Broken Music Composition, early LaMonte Young and Takehisa Kosugi.   From Wikipedia, the free encyclopedia

Tuesday, April 29, 2014

Pim Zond - Dolls Macabre Electronic Music TV Theme

Experimental Noise Guitar Music of Pim Zond


Experimental noise guitar music of Pim Zond from the deep concrete underground. Negative coloured bad dream video imagery of attenuated noise music performance art with an equally squalid beat. Noise on the rocks anyone? Or are we all doomed? (Nothing to do with tin toys, Miley, Bieber, Tupac, or Adele.)

Pim Zond - Experimental MUSIC-"Tin Toy Killer" VIDEO by Pim Zond

Pim Zond on SQUIDOO


Pim Zond on SQUIDOO

  Visit a new Squidoo.com lens by Pim Zond HERE

Friday, April 4, 2014

Pim Zond album - 23 Years of Fear - available in China on PaiShouBa!


Pim Zond album "23 Years of Fear" available in China on PaiShouBa!

 
Canadian experimental musician Pim Zond has signed a distribution deal for China's explosive music market with publishing on the legal Chinese mobile store: "PaiShouBa" (meaning ‘Applause’) His album "23 Years of Fear" "23年的恐惧 " and its' ringtones are now available in China for most mobile devices and smart phones. Screenshot: 23 Years of Fear - Pim Zond (CH)3 23 Years of Fear - Pim Zond (EN)

Pim Zond on Stage 32


Pim Zond on Stage 32

  "Stage 32 is Facebook meets LinkedIn for film, television and theater creatives..." — Yahoo! Entertainment From students to award winners, theater managers to film directors, actors to screenwriters, the Stage 32 creative spectrum runs wide.